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Quebec Premiere. Playing at Fantasia Digital Film Festival 2020 On Demand till Sept 2. Buy your virtual ticket here.

SPOILER ALERT

Feels good, man. The Pepe the Frog comic and meme is explored in Arthur Jones' excellent debut documentary about the creator Matt Furie and how his comic book creation became a sensation as intended—including how he lost creative control. Some years ago, he was not pleased when other people took his work and used it for their purposes. Pepe’s use as a meme was widespread and got more attention than from his self-published comic book, Boys Club #1. After appearing on the Internet, that’s when problems surfaced. It isn’t easy being green.

Fantasia Digital Film Festival 2020
Last Showing: Saturday 29th, 23:15 EST
Buy your virtual ticket here.

Reality is warped in Kirya. New Delhi writer and director Sidharth Srinivasan’s Hindi-Indie horror mixes mysticism and devotion in a haunting tale about Sitara (Navjot Randhawa). It’s easy to see she’s a maneater. Or could she be Kyrie Eleison, that vixen found in the darkness of the night–the song from Mr. Mister? Though this bouncy song is about finding happiness, the lyrics can be given a darker meaning this movie crazily descends into,

Playing at Fantasia Digital Film Festival 2020 On Demand till Sept 2. Buy your ticket ($8) to At Midnight I'll Take Your Soul here and The Strange World of Coffin Joe here.

If you haven’t been introduced to Coffin Joe yet, now is your chance! Fantasia's Digital 2020 Festival is showing the first instalment as part of their Retro program and "At Midnight I'll Take Your Soul" (1964) is a zinger.

Playing at Fantasia Digital Film Festival 2020. On Demand till Sept 2. Buy your virtual ticket here.

Alexandre Prieur-Grenier may well be the next Guy Maddin or, perhaps, the next David Cronenberg. His debut in 2011 oozes with avant-garde visuals and the lighting design is electric. The best scenes are when our hero’s dreams become reality, and it looks like a heat storm at night. We’re never sure what is upside down or right side up as this director is challenging us to figure out if everything we see is part of Émile Schneider’s (the protagonist's) imagination?

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